![]() I love everything about the Micro except that it can't tune my mando and I'd say that's a deal breaker. The Micro fares marginally better than the Mini but still can't cut it. The snark is capable of locking in consistently regardless of the situation and volume level. I went to a quiet room and put both the Micro and the Snark on the head stock. To be fair, I gave it a taste test against my Snark that I've had for almost 2 years. Maybe the next go around might work better and I'd make it my daily driver. I so wanted this to work better than the mini and as well as my other tuners like the Snark. This happened, all three, at the same time. Sometimes it locks on, sometimes it's two bars sharp, sometimes it fails to register. I've tried hard pick strokes, soft ones and standing on my head. ![]() But as soon as I get into a jam with a banjo on the left of me and a dobro on the right I can't get the darn thing to lock on. I can tune perfectly when I'm alone and/or it's quiet. Third, and really the most important part, how does it tune. I didn't try it in sunlight but since I keep it under the deadstock I think it'd be OK. Second, readout and screen work well, red, yellow, green and can see it just fine. It's so tiny I clip it to the headstock on the underside, push the convenient button that flips the display, and it's ready. I've used it in our weekly jam where it's loud and crowded and at a recent BG festival and used it enough to give a review.įirst, I LOVE the form factor my favorite part. Surprise to me, our friendly D'Addario rep pm'd me and offered to send one for me to try out and I accepted. I was the only dissenter and as much as I want to jump on the bandwagon, it just didn't work for me and I didn't plan on buying another. When the micro came out there was a newsfetcher post about it and, again, everyone raved. It wouldn't lock on during a jam yet many people said their tuner worked fine. Celtic, U.K.I had the Mini version of this tuner and hated it.Jazz/Blues Variants, Bossa, Choro, Klezmer.Old-Time, Roots, Early Country, Cajun, Tex-Mex.Rock, Folk Rock, Roots Rock, Rockabilly.Bluegrass, Newgrass, Country, Gospel Variants.Technique, Theory, Playing Tips and Tricks.Jams, Workshops, Camps, Places To Meet Others.Looking for Information About Mandolins.Not sure if that makes any sense from a physics standpoint. The posts are quite tall with the hole near the very top and I'm thinking that the tuners might possibly work a little better if the string is wound down lower on the post so that there isn't as much leverage on the post pulling it against the ferrule. I use the method too but I am thinking of putting more wraps on the posts of the tuners on my teens A4. He did not use it to put the new strings on. He used a winder chucked in an electric screwdriver to take the old strings off by loosening all the strings completely then cutting them off. In the few seconds it would take me to pickup a winder and start winding, I have the string almost up to tension.I felt the same way until just recently when I watched a luthier change a set of strings. ![]() ![]() I use the "locking" method as described on the site, and I never have more than two full wraps around each post. I have never understood the need for a sting winder. ![]()
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